2019 ARTIST-IN-RESIDENCE


DAVID KIM, VIOLIN

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Violinist David Kim was named concertmaster of The Philadelphia Orchestra in 1999. Born in Carbondale, IL, in 1963, he started playing the violin at the age of three, began studies with the famed pedagogue Dorothy DeLay at the age of eight, and later received his bachelor’s and master’s degrees from the Juilliard School.

Highlights of Mr. Kim’s 2018–19 season include serving on the faculty of the New York String Orchestra Seminar; appearing as a soloist with The Philadelphia Orchestra; teaching/performance residencies and masterclasses at The Cleveland Institute of Music, The University of Texas at Austin, Rice University, Manhattan School of Music, Bob Jones University, Rowan University, West Chester University, the Taipei (Taiwan) Academy and Festival, The Aspen Music Festival, and continues appearances as concertmaster of the All-Star Orchestra on PBS stations across the USA and online at the Kahn Academy, a solo performance on a soon-to-be-released CD with the Westminster Choir; as well as recitals, speaking engagements, and appearances with orchestras across the United States.

Mr. Kim frequently appears as a guest with famed modern hymn writers Keith and Krisyn Getty at venues such as the Grand Ole Opry House in Nashville, The Kennedy Center for the Performing Arts, and Carnegie Hall. A new Getty Music CD includes Mr. Kim featured in a solo role. He is the founder and Artistic Director of the annual David Kim Orchestral Institute of Cairn University in Philadelphia, where he is also a Professor of Violin Studies. Additionally, Mr. Kim serves as Distinguished Artist at the Robert McDuffie Center for Strings at Mercer University in Macon, GA.

Mr. Kim appears as a soloist with The Philadelphia Orchestra each season as well as with numerous orchestras around the world. He also appears internationally at such festivals as Brevard, MasterWorks (US), and Pacific (Japan).

Mr. Kim has been awarded honorary doctorates form Eastern University in suburban Philadelphia, the University of Rhode Island, and Dickinson College. His instruments are a J.B. Guadagnini from Milan, ca. 1757, on loan from The Philadelphia Orchestra, and a Michael Angelo Bergonzi from Cremona, ca. 1754. Mr. Kim resides in a Philadelphia suburb with his wife, Jane, and daughters Natalie and Maggie. He is an avid runner, golfer, and outdoorsman.


ARTISTIC DIRECTOR

Nathan Cole, violin 

First Associate Concertmaster Nathan Cole, who joined the Los Angeles Philharmonic in 2011, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra.

A native of Lexington, KY, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York’s Weill Hall. Several summers at Marlboro enriched his love of chamber music.

While in Chicago, Cole taught at Roosevelt University and coached the Chicago Civic Orchestra. He is currently on the faculty at the Colburn Community School for Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have appeared in Strings, Symphony, and Chamber Music magazines. Additionally, the Nathan Cole School of Violin includes a video curriculum of all major orchestral excerpts, plus concertos, etudes, and fundamental lessons. Visit him at natesviolin.com.


RETURNING ARTISTS


Akiko Tarumoto, violin

Akiko Tarumoto began her violin studies at age five. Her principal teachers have been Masao Kawasaki, Dorothy DeLay, and Glenn Dicterow. A native of Eastchester, New York, Tarumoto studied at the preparatory division of the Juilliard School and received her Bachelor’s degree in English and American Literature with honors from Harvard University in 1998. In 2000 she received her Master of Music degree from the Juilliard School and joined the second violin section of the Los Angeles Philharmonic.

In 2004 she was appointed to the first violin section of the Chicago Symphony Orchestra under Daniel Barenboim. While in Chicago, she performed on the Rush Hour and Chicago Symphony chamber series, at the Winter Chamber Music Festival at Northwestern University, and on the MusicNOW contemporary series.

Tarumoto returned to the Los Angeles Philharmonic in the fall of 2011 as a member of the second violin section, and was appointed to fifth chair of the first violin section in March 2015. In January 2017 she was named Assistant Concertmaster. She is a frequent performer on the LA Phil’s Chamber Music and Green Umbrella series and has been featured as a soloist with the orchestra. She has been heard on the radio stations WFMT in Chicago and KROQ in Los Angeles, and received a platinum record for her participation in the Weezer album Make Believe. Tarumoto has performed in the summer festivals of Aspen, Taos, and Spoleto, Italy. She has also appeared at the Mimir Festival in Fort Worth, Texas, and at the Chamber Music Festival of Lexington in Kentucky.


Burchard Tang, viola

A native of Maryland, Burchard Tang joined The Philadelphia Orchestra in September 1999. He received a Bachelor of Arts degree in May 1999 from the Curtis Institute of Music, where he studied with Joseph dePasquale, retired Philadelphia Orchestra principal viola, and Choong-Jin Chang, the Orchestra’s current principal viola. Mr. Tang has served as principal viola with the Curtis Symphony and the New York String Seminar, and he has performed with the Brandenburg Ensemble.

A 1993 winner of the Philadelphia Orchestra Albert M. Greenfield Student Competition, Mr. Tang performed with the Orchestra as a soloist in a Student Concert in November 1993. Other honors include the Temple University Preparatory Division Concerto Competition and second prize in the Senior Division of the Fischoff Competition in 1996 (this is the premier Chamber Music competition in the US). As a chamber musician, Mr. Tang has appeared at many of the country’s top festivals, including Marlboro, Ravinia, Music from Angel Fire, Seattle, and Caramoor. He is a founding member of the Dolce Suono Ensemble. He is currently on faculty at Temple Music Prep, where he teaches viola and chamber music.


Priscilla Lee, cello

Associate Principal Cello Priscilla Lee joined The Philadelphia Orchestra with the start of the 2016-17 season. A 2005 Avery Fisher Career Grant recipient, she began studying at the age of five and made her solo debut in 1998 with the Los Angeles Philharmonic. A native of California, she studied with Ronald Leonard at the Colburn School of Performing Arts and in 1998 went on to the Curtis Institute of Music to study with David Soyer. In 2005 she received a Master of Music degree from the Mannes College of Music, where she studied with Timothy Eddy.

Ms. Lee has participated in the festivals of Marlboro, Santa Fe, Seattle, Delaware, St. Denis in Paris, Kingston, Lexington, and Taos. She was a member of Lincoln Center’s Chamber Music Society Two from 2006 to 2009. She was a founding member of Trio Cavatina, a piano trio that won the Grand Prize at the 2009 Naumburg International Competition. The Trio made its debut at the New School and Merkin Hall’s Rising Star Series, along with Boston’s famed Jordan Hall and Carnegie’s Weill Recital Hall. Ms. Lee was the principal cello of both Opera Philadelphia (2014-16) and the Chamber Orchestra of Philadelphia (2015-16). She resides in Newtown Square, PA, with her husband, Philadelphia Orchestra violist Burchard Tang, and their two daughters.


Alessio Bax, piano

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 100 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, Sydney, and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.

Bax is a staple on the international summer festival circuit, and has performed at the Verbier Festival in Switzerland; the Aldeburgh Festival, Bath Festival, and Southbank Centre’s International Piano Series in England; the Risør Festival in Norway; the Salon-de-Provence Festival in France; the Moritzburg Festival, Ruhr Klavier-Festival, and Beethovenfest Bonn in Germany; and Le Pont International Music Festival in Japan. In the U.S., he makes regular appearances at Seattle Chamber Music Festival, Music@Menlo, the Bravo! Vail Music Festival, Santa Fe Chamber Music Festival, the Great Lakes Chamber Music Festival and New York’s Bard Music Festival. As a chamber musician, Bax has collaborated with Emanuel Ax, Joshua Bell, Ian Bostridge, Lucille Chung, Sol Gabetta, Steven Isserlis, Daishin Kashimoto, Emmanuel Pahud, Lawrence Power, Paul Watkins, Jörg Widmann, and the Emerson String Quartet, among many others.

Alessio Bax graduated with top honors at the record age of 14 from the conservatory of Bari, his hometown in Italy, where his teacher was Angela Montemurro. He studied in France with Francois-Joël Thiollier and attended the Chigiana Academy in Siena under Joaquín Achúcarro. In 1994 he moved to Dallas to continue his studies with Achúcarro at Southern Methodist University’s Meadows School of the Arts. In fall 2019, Bax joins the piano faculty of Boston’s New England Conservatory. A Steinway artist, he lives in New York City with Lucille Chung and their five-year-old daughter, Mila. Beyond the concert hall he is known for his longtime obsession with fine food; as a 2013 New York Times profile noted, he is not only notorious for hosting “epic” multi-course dinner parties, but often spends his intermissions dreaming of meals to come.


Jacob Coleman, piano

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Alas, our pianist Alessio Bax could not make it this year, in his stead, we are delighted to welcome Jacob Coleman on the piano!

A native of Athens, Georgia, pianist Jacob Coleman is the Assistant Professor of Piano and Collaborative Piano at the University of Kentucky School of Music. As a collaborator, Dr. Coleman has performed with artists such as violinist Elmar Oliveira, Cleveland Orchestra Principal Clarinetist Franklin Cohen, bassoonist William Ludwig, St. Louis Brass member Jeff Nelsen, trumpeter Jens Lindemann, flutist Leone Busye, as well as the Kenari Quartet and Zohn Collective. As a vocal coach he has held staff positions with the University of Georgia Opera Theater and the Astoria Music Festival. He has served as the official pianist for the Mid-South Flute Festival since 2016 as well as for ProjectoBone Brasil and National Trumpet Competition in 2019. Other collaborative performances include the North American Saxophone Alliance and International Double Reed Society conferences. In November of 2016, he was a semi-finalist in the Boulder International Chamber Music Competition.

As a soloist, Coleman gave the Georgia premiere of Augusta Read Thomas' Two New Etudes. In April 2016, he premiered a new work by Lansing McLoskey for oboe and piano with oboist ToniMarie Marchioni at Spectrum.

Most recently he was on faculty at the University of Southern Mississippi, where he directed the Collaborative Piano Program and created a new doctoral degree for the program. From 2014-2016, he served as Visiting Assistant Professor of Collaborative Piano at Indiana University's Jacobs School of Music . From 2013-2018 he was a member of the piano staff at the Meadowmount School of Music founded by Ivan Galamian. Dr. Coleman holds degrees from The University of Texas at Austin (DMA, Collaborative Piano), University of Oregon (MM, Collaborative Piano), and University of Georgia (BM, Piano Performance). His primary teachers were Richard Zimdars, David Riley, and Anne Epperson.


ENSEMBLE-IN-RESIDENCE

WindSync, wind quintet

WindSync is a collective of five outstanding North American wind musicians who come together as performers, educators, and community-builders. WindSync soncerts are intimate, joyful, and thoughtfully programmed with people and places in mind. The quintet eliminates the “fourth wall” by performing from memory, connecting quickly and memorably with audiences. Recent winners of the Concert Aritsts Guild and Fischoff competitions, they approach their mixed repertory of wind quintets and arrangements with the highest level of artistic dedication.

They have appeared in recital at the Met Museum, Schubert Club, Shanghai Oriental Arts Center, and Weill Recital Hall at Carnegie Hall. IN 2015, WindSync was invited by the Library of Congress to perform the world premiere of Paul Lansky’s “The Long and the Short of it”, commissioned by the Carolyn Royall Just Fund and the Chamber Music Society of Lincoln Center. Their 2018–19 season includes performances at the New School, Ravinia, and the Hobby Center, ad premieres by composers Ivan Trevino, John Steinmetz, and Marc Mellits.

WindSync takes a special interest in reaching children, families, and underserved audiences. Part of the burgeoning creative placemaking movement, the ensemble has recently focused on performance in public spaces in Houston and Opelousas, LA. They have been featured in educational concerts presented by the Seattle Symphony, Midland Symphony, and Orli Shaham’s “Baby Got Bach”, and their concerts for young people reach over 10,000 students per year.

Advocates of 21st century musicianship models, the members of WindSync have led master classes at New World Symphony, Texas Music Festival, and the University of Maryland Renegade Series, among others. WindSync has also served as ensemble-in-residence for Adelphi University, the Chamber Music Festival of Lexington (KY), and the Grand Teton Music Festival.


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CONTACT → Chamber Music Festival P.O. Box 21816, Lexington, KY 40522 - director@chambermusiclex.org - 859.429.1897